Nanda says of Manmohan Desai: 'I wanted a husband who doesn't bow down before anyone else.' 'He has worked with Amitabh Bachchan in so many films but it's always on a one-to-one basis. I admire that.'
'I am happy showing my age. I don't want to look 20 years younger than my age. Neither have I done any cosmetic surgery nor do I want to.'
'If I'm playing Shah Rukh Khan's role, then of course, I would have loved to do it.'
'Had I been launched as a leading actor, it would probably have worked better.' 'Prabhu Devaa came eight years after me. Maybe if a filmmaker had thought of a film for me like the ones he got, my career would have been a different trajectory.'
'Despite acting in some 100 films and television plays, people still remember the daadi of Hum Log.'
'One day, I was working in my office late in the evening when suddenly the peon comes and says Saif Ali Khan has come to meet you.' 'Saif told me, "I'm desperate. I've been thrown out by Sattee Shourie, I'm homeless and penniless. Can you do a film with me?"' 'I thought about it and saw him in the character which I was writing.' 'So I gave him a cheque of Rs 5,000 and said, "We'll work together".'
S D Burman enjoyed a productive partnership with Dev Anand's production house Navketan for two decades, but their collaboration reached its apogee with Guide.
'This leading filmmaker told me: "Don't let the industry cake you up with makeup and wigs. You are a breath of fresh air".'
'I always considered him as a director, never an actor. Do you know he always considered other actors for his films first?' 'For Pyaasa, he wanted to cast Dilip saab; only when Dilip saab refused did Guru Duttji decide to do the role himself.'
'Rejection teaches you a lot of endurance, self-trust, and the ability to show up again.'
Singer-actress Sulakshana Pandit, 71, passed into the ages on November 6 after a prolonged illness. Besides her acting roles, she leaves behind some beautiful songs to remember her by.
Rajinikanth may have made his last Hindi film two decades ago but he can still set the screen alight, blazing away with a gun that has dozens of barrels. As Thalaiva turns 75 on December 12, Dinesh Raheja looks back at his 17 year journey in Hindi cinema.
'It's far-fetched to say that human thinking will become subservient.'
'Dilipsaab was an interesting mix of spontaneity and stylised acting.'
'Everyone at Guru Dutt Productions would get monthly salaries. Waheeda didi would get Rs 2,500 per month. And that was the reason why she left.'
As the digital age turns children into informed, opinionated little adults, what guardrails should parents employ? Parents with new-age sensibilities admit to oftentimes feeling stumped. A psychologist, a principal and an eye doctor suggest how they can navigate this new parental landscape.
Bappi Lahiri realised disco was a winning ticket and escalated his game with several more dancefloor perennials. Soon, every film producer and music director in town was down with disco fever. On what would have been Bappi Lahiri's 73rd birthday this November 27, Dinesh Raheja rewinds to the late music composer's halcyon days.
After spinning into the spotlight with the hit song-and-dance number Mera Naam Chin Chin Chu in Howrah Bridge (1958), Helen signed scores of films as a dancer. But Helen was raring to step out of her dancing shoes, and play heroine instead.
The song that best encapsulates Geeta Dutt's unfairly abbreviated life would probably be: Yaad Karoge, Yaad Karoge, Ek Din Humko Yaad Karoge. On her 95th birth anniversary on November 23, Dinesh Raheja pieces together the life of this talented singer.
Asrani may have never been a marquee name up in sparkling lights or on outsized posters but the sheer proficiency with which he realised his characters has unleashed gales of laughter over five decades and made a significant contribution to several landmark films. Dinesh Raheja salutes the iconic actor.
'Abrar uncle said he had started drinking from the afternoon on that fateful day. And he continued drinking till late at night.' 'Thereafter, he must have consumed some sleeping pills, as was his habit.' 'I think that combination went fatally wrong.'
'One is not allowed to smoke on the sets of a Hollywood film even during a break.' 'When I asked an assistant to suggest some place where I could light a cigarette, he recommended the bad boys' corner -- where Jack Nicholson smoked.' 'However, I hesitated.' 'But when I was heading back to my chair after the shot, Jack Nicholson asked me if I wanted to join him for a smoke. We had a long conversation over cups of cappuccino.'
Dinesh Raheja salutes Sandhya, the acclaimed dancer who passed into the ages on October 4.
'My trajectory right now is five steps forward, two steps backwards.'
While Amitabh Bachchan's chemistry with his heroines -- from Jaya Bhaduri to Rekha to Hema Malini -- brought sizzle to his films, many of his biggest blockbusters have been powered by his combustible combination with male co-stars.
Dinesh Raheja charts the highs and lows of Hrishikesh Mukherjee's creative association with five megastars -- Amitabh Bachchan, Rajesh Khanna, Raj Kapoor, Dilip Kumar and Dharmendra.
'Being signed on as the leading man of Hero came to me like a bolt out of the blue.'
Dinesh Raheja celebrates Lata's 96th birth anniversary on September 28 by picking some choice examples of her non-typical songs that are tinged with a rare eroticism.
'I fell in love with Suraiya and that was my first real gafla. The more I couldn't get her, the more I wanted her. When I couldn't marry her because the world didn't want it, I cried for the first time.'
The ethereal Hema Malini turns 75 on October 16, and gives us yet another reason to celebrate her.
'At the age of 68, I am in the best phase of my life.' 'What I have left of my life, I want to live with dignity.'
Kareena has been a leading lady now for 25 years, Deepika for almost two decades and Alia for over a decade. Dinesh Raheja chronicles the changing ways Bollywood has treated actor-moms.
'On the set, he was this big personality, the great Om Puri. But at home, he was like a fluffy teddy bear.'
'Pahlaj Nihalani came to my rescue. There was no Instagram in those days so I didn't recognise him.' 'I almost fainted when he told me he was Pahlaj Nihalani, the producer of Ilzaam, the hit film that had just made Govinda a star.' 'I told him I was a model and an aspiring actor, and he responded, "You have an interesting face. Come and meet me in the office tomorrow".'
The tide has turned for Sunny. He has another actioner in the upcoming Jatt and has reteamed with Rajkumar Santoshi after almost three decades for the Aamir Khan produced Lahore 1947.
'Shreya (Ghoshal) ma'am said she hasn't heard a voice like mine before, and added that even in the future, there won't be another voice like mine.'
'My mom had told me a great deal about Meena Kumari and how she could make a tear drop at the right moment. A legend who was in total control. But when I finally met her, I saw a frail, shrivelled and petite woman -- just a bag of bones. Very tiny. She was dying.'
'I played five different versions of Woh Subah Kabhie Toh Aayegi for Raj Kapoor, only to be greeted with a totally blank reaction.' 'Thereafter, for 40 minutes, he disappeared, leaving us baffled.' 'But when he emerged, he couldn't stop appreciating our efforts!' 'He said Sahir Ludhianvi's writing was sheer poetry and since all my five tunes were equally wonderful, he would leave it to my discretion to chose the final tune.' 'What could be greater appreciation for an artiste?'
The Bachchan family have this knack of going out of their way to make you feel extremely comfortable.
'Alaya has kept her career disconnected from me in every way.' 'She wanted to achieve success by herself without any help or interference.'
